How does one defend the shit physics of Kick Ass 2? That was
the main question circulating my friends and I in the aftermath of the
blockbuster. Seemingly trivial and crude but actually representing a more
serious idea, it suitably reflects the film itself. The focus on this instead
of the film’s major themes is telling of the movie’s clouded message. The first
Kick Ass was something of a satire on superhero movies or at least the closest
we’ve had since Watchmen and whilst it provided a very quirky but realistic view
on vigilantism it eventually became the thing it was seemingly parodying.
Kick Ass two is in many ways, everything a sequel should be.
Bigger and better in almost every way, but with more power comes more
responsibility and the film struggles with its own complex themes and mixed
messages. The basic premise centres on the revenge of the former villain’s son
and Kick Ass’s own wish for expansion in the superhero occupation. Hit Girl
meanwhile, is struggling to integrate into normal society and spurn her
superheroine upbringing.
The film’s style is thankfully intact with its quirky blend
of dark humour, graphic violence, teenage problems and high school turmoil all
present but somewhat pushed for space in this very loaded story. It keeps you
engaged and adequately raises the stakes at the right moments but upon
reflection and your own reintegration into the real world the faults and
muddied message flare up.
The film seems to be saying that the real world needs real
heroes, not costumed vigilantism, and the consequences for such flamboyance are
stark and unforgiving. This is without a doubt darker than the first film with
some quite horrifically real consequences coming back to burn our protagonist.
The film gives most of them the attention, impact and handling they deserve,
with the exception of Jim Carrey’s Colonel Stars And Stripes, who gets all the
screen-time in the trailers and disappointingly little in the actual movie.
Ex-Mafia Born Again Christian Superhero played by Jim Carrey...that shouldn't need any other justification. |
The consequences and events all lead back to this message of the heroes being in
over their heads, of things getting out of hand. It’s a depressing message to
be certain and the main characters themselves seem to be bored out of their
minds without their past-times to enamour and give them purpose. So what
message does this ultimately give? That the real world is safe but dull, full
of financial worries, non-heroic pursuits and lacklustre careers. That trying
to follow a dream like Kick Ass will lead to real danger and real loss.
The film definitely feels more real and the darkness I
previously mentioned is shocking and thought provoking, especially when the
film seems to be setting up for a trilogy overall. Without spoiling too much
our protagonist Kick Ass seems to be unable to kick his habit and the question
now is whether his superheroism is an obsession, a convoluted death wish of
sorts or whether a third film will finally give him another purpose in life.
Deeper meanings and messages aside there is a lot to enjoy
with Kick Ass 2. It’s a great cinema experience mixing drama, comedy and
action, even elements of somewhat confused romance. If it does bite off more
than it can chew, it should be commended for trying to handle such heavy
topics.
Some may view Kick Ass as a needlessly crude and offensive
series but whilst I disagree regardless of the statement’s accuracy it is a
movie quite unlike any other comedy or superhero film currently showing. If the
gore (and other bodily fluids) don’t dissuade you from viewing, Kick Ass 2 is a
powerful if bloated sequel to what is proving a unique, adventurous and
strangely charming series.
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